The Unnamed Footage Festival 2023 Announces Its 1st Wave

The Unnamed Footage Festival LogoThe Unnamed Footage Festival is heading into its 6th year! This edition of the film festival, UFF666 has a satanic twist as they plan to summon the devil amidst a marathon of found footage horror, faux documentary, and first-person POV cinema. The annual opening night Recalibration Party will be held at the Artist’s Television Access gallery, followed by an evening of features and shorts Friday at the Balboa Theatre, and then moving to the newly renovated 4-Star Theater in San Francisco’s Richmond District for a weekend packed with “in-world camera” films and discussions.

The Unnamed Footage Festival has dropped the first wave of films in its line-up! Amongst the titles is the world premiere of Robbie Banfitch’s Tinsman Road, the follow-up to the highly successful film The Outwaters as well as the continental US premiere of Koji Shiraishi’s Safe Word! Director Shiraishi is well known for Noroi: The Curse, A Record of Sweet Murder, and more.

Read on for the full list:

  • TINSMAN ROAD (2023, USA, dir. Robbie Banfitch)

WORLD PREMIERE – A young man searches for the body of his sister years after her tragic disappearance. Framed as raw documentary footage shot on real Mini-DV cameras, TINSMAN ROAD is a chilling mystery uncovered while observing strained familial bonds that diverts from the heart-stopping horror of Banfitch’s prior film, THE OUTWATERS. A beautifully eerie soundtrack by Salem Belladonna punctuates this tense thriller. Q&A with director Robbie Banfitch and cast. Tinsman Road

  • CARD ZERO / FILE VL-624 (2023, USA, dir. Robbie Banfitch)

THEATRICAL PREMIERE – Two short films supplementing THE OUTWATERS. A prequel, CARD ZERO is a video diary shot by Robbie Zagorac (Robbie Banfitch) of his relationship with a man he is seeing (Julian Broudy) captured before going missing in the Mojave Desert. FILE VL-624 is a fragment of corrupted footage salvaged from Robbie Zagorac’s camera, now property of the Mojave Police Department. Q&A with director Robbie Banfitch and cast. CARD ZERO_Poster

  • SAFE WORD (2022, Japan, dir. Kōji Shiraishi)

CONTINENTAL US PREMIERE – Misa the Killer (Chisako Kawase) is a wrestler turned pop idol being filmed for a documentary when the owner of the S&M lounge H, Tsubaki (played by nonbinary model Ryuchell), recognizes her talent and recruits her as a dominatrix. Awakening to the rush of liberation behind the intensity of S&M, she decides to take on the roles of both idol and dominatrix. Found footage horror icon Kōji Shiraishi takes the chance to play in a very different space in this pink film mockumentary, and with the assistance of a fantastically committed cast, his weirdness, and humor truly shine. Safe Word

  • THE TUNNEL: THE OTHER SIDE OF DARKNESS (2021, Australia, dir. Adrian Nugent)

NORTH AMERICAN PREMIERE – On the 10th anniversary of the Australian found footage film THE TUNNEL, this documentary delves into the filmmakers’ endeavors to challenge how films are financed and distributed, and the lasting impact THE TUNNEL had internationally. A rare chance to see the behind-the-scenes footage of a production trying out radical new ideas in the independent film industry. THE TUNNEL OTHER SIDE OF DARKNESS_Poster

THE TUNNEL (2011, Australia, dir. Carlo Ledesma)

REPERTORY SCREENING – In 2007 the New South Wales government suddenly scrapped a plan to utilize the water in the disused underground train tunnels beneath Sydney’s St James Train Station. In 2008, chasing rumors of a government cover-up and urban legends surrounding the sudden back flip, investigative journalist Natasha Warner (Bel Deliá) led a crew of four into the underground labyrinth. They went down into the tunnels looking for a story – until the story found them. THE TUNNEL_Poster

  • R#J (2021, USA, dir. Carey Williams)

CALIFORNIA PREMIERE – Up-and-coming director Carey Williams (Amazon’s EMERGENCY) pairs up with the master of in-world camera innovation, Timur Bekmambetov (UNFRIENDED, SEARCHING, MISSING), to bring us this dynamic screenlife adaptation of the archetypical romantic tragedy. A Sundance premiere, this reimagining of Romeo and Juliet blends Shakespeare’s original dialogue with current social media shorthand to create a modern-day love story that could only be told through a smartphone. It’s Shakespearean screenlife – love between nobles on mobiles. R#J (2021, USA, dir. Carey Williams)

  • EVERYBODY DIES BY THE END (2022, USA, dir. Ian Tripp, Ryan Schafer)

A documentary crew follows legendary director Alfred Costella as he completes his final practical effects-driven horror film. This splattery showbiz satire lampoons the concept of the auteur with Vinny Curran (RESOLUTION) starring as the megalomaniacal director, giving a deranged performance that will make you wish you could watch Alfred Costella’s oeuvre in real life. Q&A with directors Ian Tripp and Ryan Schafer, cast, and crew. EVERYBODY DIES BY THE END_Poster

  • RAZZENNEST (2022, Austria, dir. Johannes Grenzfurthner)

South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus’s crew joining, they record an audio commentary track for his new elegiac feature documentary RAZZENNEST. But the session goes down a different path… Chaos ensues, but to say how and why would be spilling too many of this highly original arthouse horror film’s deep, dark secrets. RAZZENNEST_Poster

  • SEX HOUSE (2012, USA)

REPERTORY SCREENING – Six sexy singles move into America’s hottest mansion meticulously designed for only one thing: sex. The Onion’s reality television spoof mutates from comedy to horror without breaking form, drawing attention to the ludicrous setup of (a media conglomerate coercing) strangers (into having hot, hot sex) being forced to live together on camera. Released episodically on YouTube, now presented in its entirety as a 75-minute binge. SEX HOUSE_Poster


Tuesday, March 21st: Pre-Festival Event at the Alamo Drafthouse New Mission

Thursday, March 23rd: Opening night party at Artists Television Access

Friday, March 24th: Balboa Theatre

Sat & Sun, March 25th – 26th: 4 Star Theatre

Badges for The Unnamed Footage Festival are now on sale via FilmFreeway for entry to all festival events except the CLOVERFIELD screening at Alamo Drafthouse New Mission, which can be bought directly from the Alamo Drafthouse website. Individual tickets will be available after the full schedule is announced.

Be sure to check back because I will keep you updated on any future news for the festival! Stay tuned!

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